FIRE
On Saturday I supervised a change of state:
a pile of brush two-years highhad reached the point it couldn’t wait.In our field beside the trackswhere berries would be planted soonmy job’s to make sure nothingchanges state without intention that mightneed a dousing intervention with all-outsirens and pump-truck monsoons.So, I stand with shovel at attentionnear a snake of garden hose in grassand watch for flares of flaming gasesthat might leap to nearby desiccated leavesor other inappropriate locations havingslipped the noose of well-soaked earth I’dlaid in cautious preparation.Far-off low-pressure voids not callingdesperately to be satisfied, the breezeis dangerously slight.Under blue, where gray clouds collide,the sun can’t scorch with all its might;still, I wear a straw corona, brimmedto outwit melanomaA nearby chipmunk, overseeing,first hops forward then goes fleeing,she does this half a dozen times,like me, to wit: anothervacillating state of beingJim Culleny5/2/13
SUNSET
At the very moment the sun sets,
a farmer burns dry leaves.
It is nothing, this fire.
It is a small, controlled thing,
like a family ruled by a dictator.
Still, when it burns,
the farmer disappears;
he is invisible from the road.
Compared to the sun, all fires here
are short, amateurish;
they end when the leaves are consumed.
Then the farmer reappears, raking up ashes.
But death is real.
As if the sun had finished what it came to do,
had made the field grow and then
inspired the burning of the earth.
So now it can set.
Louise Gluck
From the collection of poems A Village Life (2020)
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