Thursday, March 19, 2026

A Society - Virginia Woolf

In this short story by Virginia Woolf a group of girls vow that none of them will marry or have children until they can determine what men have been doing all the this time and whether it was worth it for women to spend their youth in bearing an raising them.
This is how it all came about. Six or seven of us were sitting one day after tea. Some were gazing across the street into the windows of a milliner’s shop where the light still shone brightly upon scarlet feathers and golden slippers. Others were idly occupied in building little towers of sugar upon the edge of the tea tray. After a time, so far as I can remember, we drew round the fire and began as usual to praise men—how strong, how noble, how brilliant, how courageous, how beautiful they were—how we envied those who by hook or by crook managed to get attached to one for life—when Poll, who had said nothing, burst into tears. Poll, I must tell you, has always been queer. For one thing her father was a strange man. He left her a fortune in his will, but on condition that she read all the books in the London Library. We comforted her as best we could; but we knew in our hearts how vain it was. For though we like her, Poll is no beauty; leaves her shoe laces untied; and must have been thinking, while we praised men, that not one of them would ever wish to marry her. At last she dried her tears. For some time we could make nothing of what she said. Strange enough it was in all conscience. She told us that, as we knew, she spent most of her time in the London Library, reading. She had begun, she said, with English literature on the top floor; and was steadily working her way down to The Times on the bottom. And now half, or perhaps only a quarter, way through a terrible thing had happened. She could read no more. Books were not what we thought them. ‘Books’ she cried, rising to her feet and speaking with an intensity of desolation which I shall never forget, ‘are for the most part unutterably bad!’

Of course we cried out that Shakespeare wrote books, and Milton and Shelley.

‘Oh yes,’ she interrupted us. ‘You’ve been well taught, I can see. But you are not members of the London Library.’ Here her sobs broke forth anew. At length, recovering a little, she opened one of the pile of books which she always carried about with her—‘From a Window’ or ‘In a Garden’ or some such name as that it was called, and it was written by a man called Benton or Henson or something of that kind. She read the first few pages. We listened in silence. ‘But that’s not a book,’ someone said. So she chose another. This time it was a history, but I have forgotten the writer’s name. Our trepidation increased as she went on. Not a word of it seemed to be true, and the style in which it was written was execrable.

‘Poetry! Poetry!’ we cried, impatiently. ‘Read us poetry!’ I cannot describe the desolation which fell upon us as she opened a little volume and mouthed out the verbose, sentimental foolery which it contained.

‘It must have been written by a woman’ one of us urged. But no. She told us that it was written by a young man, one of the most famous poets of the day. I leave you to imagine what the shock of the discovery was. Though we all cried and begged her to read no more she persisted and read us extracts from the Lives of the Lord Chancellors. When she had finished, Jane, the eldest and wisest of us, rose to her feet and said that she for one was not convinced.

‘Why’ she asked ‘if men write such rubbish as this, should our mothers have wasted their youth in bringing them into the world?We were all silent; and in the silence, poor Poll could be heard sobbing out, ‘Why, why did my father teach me to read?’

Clorinda was the first to come to her senses. ‘It’s all our fault’ she said. ‘Every one of us knows how to read. But no one, save Poll, has ever taken the trouble to do it. I, for one, have taken it for granted that it was a woman’s duty to spend her youth in bearing children. I venerated my mother for bearing ten; still more my grandmother for bearing fifteen; it was, I confess, my own ambition to bear twenty. We have gone on all these ages supposing that men were equally industrious, and that their works were of equal merit. While we have borne the children, they, we supposed, have borne the books and the pictures. We have populated the world. They have civilized it. But now that we can read, what prevents us from judging the results? Before we bring another child into the world we must swear that we will find out what the world is like.’

So we made ourselves into a society for asking questions. One of us was to visit a man-of-war; another was to hide herself in a scholar’s study; another was to attend a meeting of business men; while all were to read books, look at pictures, go to concerts, keep our eyes open in the streets; and ask questions perpetually. We were very young. You can judge of our simplicity when I tell you that before parting that night we agreed that the objects of life were to produce good people and good books. Our questions were to be directed to finding out how far these objects were now attained by men. We vowed solemnly that we would not bear a single child until we were satisfied.

Read More: Biblioklept 

Wednesday, March 04, 2026

Babe In The Woods or The Art Of Getting Lost - a graphic novel by Julie Heffernan

 

Babe in the Woods, or the Art of Getting Lost, is Julie Heffernan’s first graphic novel, published by Algonquin Books.  In the book, a young artist named Julie, on a hike with her infant son, takes a wrong turn and finds herself on an extraordinary journey through her tangled past. It looks fabulous.
“One summer day, a young artist with a newborn—sleep-deprived, desperate to escape her hot, cramped apartment and her oblivious husband—sets off on a hike in the country with her baby boy, Sam, strapped to her front and her senses fully attuned to the colors, the sounds, and the flora and fauna in the woods around her. During her journey, Julie reflects on her childhood, her parents, her marriage, and her path to becoming a painter. Her memories soon merge with the imaginative pictorial worlds she invents in her work, creating a glorious and perturbing narrative.”

California



(Biblioklept)

Longlist for the 2026 Women’s Prize For Fiction Released

The Women’s Prize Trust announced the longlist for the Women’s Prize for Fiction, which highlights sixteen novels—including seven debuts, seven American writers, and nine offerings from indie publishers—published in the last year.
I have only read one of them (Katie Kitamura’s Audition) so I have a lot of catching up to do.

More: Literary Hub

Tuesday, March 03, 2026

T.S. Eliot Fun Page



Wrong Hands

Paper Engineering

Sampler paper pop-up mechanism booklet:


More here Via Kraftfuttermischwerk

F. Scott Fitzgerald on Battling Insomnia (and a Single Mosquito) - An excerpt


When some years ago I read a piece by Ernest Hemingway called Now I Lay Me, I thought there was nothing further to be said about insomnia. I see now that that was because I had never had much; it appears that every man’s insomnia is as different from his neighbor’s as are their daytime hopes and aspirations.

Now if insomnia is going to be one of your naturals, it begins to appear in the late thirties. Those seven precious hours of sleep suddenly break in two. There is, if one is lucky, the “first sweet sleep of night” and the last deep sleep of morning, but between the two appears a sinister, ever widening interval. This is the time of which it is written in the Psalms: Scuto circumdabit te veritas eius: non timebis a timore nocturno, a sagitta volante in die, a negotio perambulante in tenebris.

With a man I knew the trouble commenced with a mouse; in my case I like to trace it to a single mosquito.

My friend was in course of opening up his country house unassisted, and after a fatiguing day discovered that the only practical bed was a child’s affair— long enough but scarcely wider than a crib. Into this he flopped and was presently deeply engrossed in rest but with one arm irrepressibly extending over the side of the crib. Hours later he was awakened by what seemed to be a pin-prick in his finger. He shifted his arm sleepily and dozed off again— to be again awakened by the same feeling.

This time he flipped on the bed-light— and there attached to the bleeding end of his finger was a small and avid mouse. My friend, to use his own words, “uttered an exclamation,” but probably he gave a wild scream.

Read More: Literary Hub 

Wednesday, February 25, 2026

A Day in the Life of an American Paperboy, c. 1974

I’m not sure why I agreed to take a job without the promise of being paid. But when you’re thirteen, you don’t have much bargaining power.

A modest income was promised to young boys (occasionally girls) by the publishers of The Conshohocken Recorder and The Weekly Advertiser, two minuscule newspapers published in the Philadelphia suburbs, probably not that different from many other local papers at the time. The way the income was earned by those who delivered it, however, was unusual.

It’s hard to imagine a time when anyone would want to read these weekly ten-page tabloids. As its name suggests, The Advertiser was crammed with ads for local businesses, next to brief articles about local doings. The Recorder, I guess, recorded local news, but like its competitor, supported itself by advertising the same pizzerias, barbershops, and insurance agencies that placed identical ads in our local church bulletin.

Decades before the internet, there were far fewer places to get news, and decades before cable and streaming, there was far less to watch on TV. In the Philadelphia area we had the Holy Trinity of Channels 3, 6, and 10 (NBC, ABC, and CBS) plus whatever you could find on UHF: Channels 17, 29, and 48, whose fare ran heavily to Gilligan’s Island and The Flying Nun reruns, 1960s Japanese anime cartoons like Astro Boy and Marine Boy, and black-and-white movies from the 1950s and earlier. In that entertainment wasteland, why not peruse the papers to see what The Advertiser was advertising and The Recorder was recording?

Delivering papers at a young age would be good for me, said my dad. When you were a kid, things that sounded frankly awful were always good for you.

Read more: Literary Hub 

Excerpted from Work in Progress: Confessions of a busboy, dishwasher, caddy, usher, factory worker, bank teller, corporate tool, and priest by James Martin.

Monday, February 09, 2026

Letter From Minnesota: A Brief History of ICE in Poems

Đenise Hạnh Huỳnh: “rainbows of women are beaten & shot in our streets”

More: Literary Hub