Friday, May 22, 2026

The Moon and The Zoo

British Poet Laureate Simon Armitage has written a new nature poem to mark the 200th anniversary of international conservation charity ZSL. It imagines the moon as a nocturnal keeper of the London Zoo after dark. It hands back the future of the natural world to humanity at dawn.
 
 

The Moon and The Zoo  
  
It slides in under the turnstile after dark,  
moves in a silent arc at an ancient pace,  
dabs its ointment on the gibbon’s paw,  
nitpicks its way through the troop of gorillas,  
smooths the silverback’s fur.    
The moon  
puts a crystalline glint in the tiger’s eye,  
makes a zebra flicker like old film,  
shushes the two-toed sloth when it stirs.   
On it goes, incognito keeper and carer  
wheeling through tunnels, passing through fences,  
casting the black kite in a platinum glow,  
mending cracked hide with its soft flux   
and welding the armadillo’s chainmail coat.  
A restless otter slips out of its holt   
and rolls the ball of the moon in its feet;  
the full moon smears its milky smile  
on the lips of pups and kittens and cubs.  
It crowns the giraffe in its standing sleep,  
draws out the aye aye’s ET fingers  
for a midnight manicure, blesses a tortoise,   
lifts up its lamp to check on the lions,  
sharpens the warthog’s tusks, brushes the strings  
of the cupboard spider’s jittery web   
without sounding a note, then makes  
a final sweep of the nests and dens.  
 
But there’s still work to do before dawn,  
spreading out through the city, leafleting streets,   
leaving animal dreams under pillows   
and conjuring tundra, rain forest, swamp  
or savannah from gardens and parks,   
lighting up waking minds with wild thoughts.  
Then morning breaks; the moon hands over   
the keys of the world and trusts them to us.  
©Simon Armitage

Link 

Tuesday, May 19, 2026

On the Run and Underground: When Your Mom’s on the FBI’s Most Wanted List

 


One cold night in December, when I was not yet four years old, my mother woke me while it was still dark, pressing her face against my cheek and whispering, “We have to leave. Right away.”

I rolled off my mattress, stumbled blindly across our tiny apartment to pee, pulled on my jeans and sneakers, and followed her down the five flights of stairs without a word, walking on tiptoes so I didn’t wake the neighbors.

We stopped in the foyer. Outside, my father was already working under the streetlights, breath steaming through his beard as he chipped ice off the windshield and loaded our bags and boxes into the hatchback of a rusted blue station wagon.

I glanced up at my mom again. Under the bare bulb she looked pale, though her skin was still much darker than mine. Her hair, which she’d kept short and dyed red as part of her disguise, was finally starting to grow out, straight and dark, nearly black, down to her shoulders.

She stood still in the doorway, cradling my baby brother in one arm and holding my hand with the other, but her eyes kept flickering to the intersection—­following each car that passed, tracing the shadows of the men outside the bodega by the corner, keeping a close eye on anything that moved.

My father whistled twice, and my mom led me out through the glass door into the cold air of the street and into the back seat of our car, arranging the baby on her lap, turning to see that I was settled, and then cranking the heat up as high as it could go to coax us both back to sleep.

You grow up and you start to see how much you don’t know about your own family….You begin to see your parents’ flaws and contradictions. You understand that not everything they told you could be true.

She nodded that we were ready. My father glanced back to see if anyone was following, winked at me in the rearview mirror, and swung our car onto Broadway, toward Interstate 80, heading west.

I was used to this routine. It wasn’t the first time we’d had to pack up all our things in the middle of the night and take off on another long cross-­country drive. We ditched cars and apartments constantly, kept everything we owned in a few plastic milk crates by the door, and I carried my prized possessions in a backpack: a stack of comics, some crayons and paper, a couple of Star Wars action figures.

I liked to read comics while we drove—­I couldn’t understand all the words yet, but I could at least look at the pictures—­but that night, for some reason, my dad said it was too early to turn on the overhead lights; he couldn’t see through the glare on the windshield and had to watch for deer and hitchhikers by the side of the road. So the lights stayed off.

I lay back and looked out the window instead, the yellow lane markers swallowed up behind us, the tree line blurring over by the edge of the road, while my parents whispered to each other across the dark front seat of our car:

“Who should we call? Who’s going to meet us there?”

“They know where we’re headed now.”

“They don’t know where we are.”

The hum of the engine, the hiss of tires on asphalt, the warm air inside, and the constant sense of forward momentum made me feel like we were our own little world, sealed off from the outside—­and if we just kept going, kept driving, no one would ever catch us.

It was the closest I ever came to feeling totally safe in my family.

But we had to stop eventually, for food and gas, to use the bathroom and to stretch our legs. So, the next morning, I found myself standing in a long line with my dad at a rest-­stop Burger King, watching a group of kids my age roughhouse on the indoor playground of a Kids Club Fun Center, when a nice elderly couple started talking to me, just making conversation.

“Hey sweetheart,” the old man smiled down at me—­I had shoulder-­length blond hair at the time, and everyone always assumed I was a girl—­“you all on a road trip?”

I nodded. I knew enough not to talk to strangers.

“Chicago?”

I nodded again.

“Visiting family? Or just on vacation?”

I looked up at my dad. He wasn’t paying attention now; he was busy ordering our food, and I felt like I had to say something, just to put an end to this awkward conversation.

“We’re going to Chicago,” I told them, “for my mom to turn herself in.”

I was half-­distracted, watching the other kids in their gold paper crowns running around the Kid’s Club gym, hanging from the bright plastic monkey bars. But I noticed the woman was looking at me now more closely, a bit confused.

“How do you mean, hon?”

“We made a deal,” I tried again. “With the FBI. So I can go to school.”

This was so.mething I’d been told in passing, or overheard, without ever fully understanding what it meant, but as soon as I said it I knew—­from the way the couple glanced at each other, and then over at my father’s back—­that I’d made a terrible mistake.

Read more Literary Hub 

Monday, May 18, 2026

Edith Wharton’s Affair Set To Music

In 1907 Edith Wharton had a tumultuous affair that ended badly after which she wrote a break-up letter and a cycle of eight sonnets called The Mortal Lease. In 2023, Finnish jazz vocalist and composer Josefiina Vannesluoma released an album where she set those sonnets to music. (MetaFilter


Friday, May 15, 2026

Edition Of Fahrenheit 451 Was Made To Thwart Book Burners



Ray Bradbury issued a special 200 copy edition of his dystopian novel Fahrenheit 451 in 1953. It was covered in asbestos, making the books resistant to burning. Copies are rare - and expensive. This one was priced at US $45,000.

Via Neatorama 

Welcome to Anxietyland



“Gemma Correll has suffered from anxiety and depression disorders since childhood, and at 16 she discovered a magical elixir that promised to make her feel better. In this extract from her new book, she shows how that promise was broken.”

Read more: The Guardian

Lake Effect - Hillary Behrman

This excerpt is from Hillary Behrman's debut collection, Lake Effect, winner of the 2024 Mary McCarthy Prize for Short Fiction.  

He cooked and we ate our entire dinner including dessert out of one cast-iron frying pan, scooping up the last of the chocolate ice cream embedded with bits of grilled onion and potato. Our spoons, the only dishes I needed to wash because, he explained, “You never wash a cast-iron frying pan, just wipe it down, the residue of every meal you ever ate adds seasoning to the next.”

A slimy onion worm stuck in his beard, wiggling up and down as he talked.

“Samantha, are you even listening to me?”

When Dwight said my name, he paused after each syllable, like he needed to sound it out, like he was learning to read, like he’d never heard my name before.

“Sam. My name is Sam.” “Yeah. Whatever.”

He left the table.

I didn’t wash the spoons, just licked ’em clean and put them right back in the drawer. My mom would have been horrified, but impressed too, by my efficiency.

I was fourteen when my dad started leaving me in the care of random people, my mother dead less than six months. Most of the time he asked one of the female nurses he worked with at the hospital to stay with me. He was never gone for very long. But this time it was a guy from the pathology lab, Dwight—red haired, bearded, and so skinny I could see the hollowed-out joint where his leg hooked up with his torso. His jeans hung low on his hips, he kept his hands in his pockets, but that just made it worse, I mean really, get a belt.

After dinner we drove around, first downtown, then out to the industrial area by the river. Eventually we doubled back, heading away from the city and out along the lakefront on the freeway.

Lake Erie froze solid that year, but Dwight said the toxic sludge at the bottom of the river and the sheen of oil across the top would keep the Cuyahoga from freezing. He took the exit ramp fast, fishtailing on black ice, just missing the guardrail before regaining control of the car. Turning left and then right, we plowed across a flat white field that must have been a parking lot, our tires razoring straight lines in the fresh snow. He pulled the car right up to a cement barrier.

“What is this place?”

He jumped out. Ignoring my question. “Come on Samantha, live a little.” 

Read more: Literary Hub

Friday, May 01, 2026

Prequels



Wrong Hands

Sally Field Reads from Remarkably Bright Creatures

Sally Field reads a passage from Remarkably Bright Creatures, the bestselling novel by Shelby Van Pelt, soon to be a Netflix film adaptation. Field plays the part of  Tova, a widow who forms a bond with a giant Pacific octopus who will solve a mystery that will change her life forever.

Via  Literary Hub

Thursday, April 30, 2026

Lucille Clifton’s “homage to my hips”

 This poem is an homage to womanhood, to age, to freedom, and to self-love. 



(Literary Hub)

Wednesday, April 29, 2026

An Unfortunate Mothers Advice to Her Absent Daughters



An Unfortunate Mother’s Advice to Her Absent Daughters (1761) was written by Lady Sarah Pennington in the form of a letter to the children who had been taken from her after she asked for a separation from her husband. She wrote the book as a way of reaching out to her daughters after her husband had denied her any contact with them. It was a manual of conduct for young women that covered religion, prayer, dress, needlework, the theatre, marriage, dancing, and other "feminine" pursuits. She also advised her daughters not to bow to “his” command when the time came to marry. The book was widely read and much reprinted.

18thcenturyconductbooks