Gabriel García Márquez’s The Autumn of the Patriarch isn’t so much a novel as it is a delirium, a swamp fever, a sun-bleached hallucination stretched across centuries, a beast that coils and uncoils, bloated with its own rot, a thing that does not begin or end but only festers, looping back on itself in great, heaving tides of unpunctuated or undepunctuated or mispunctuated thought, García Márquez dragging us under, drowning us in the mind or minds of the titular dictator, a paranoid consciousness so swollen with its own power that it warps reality itself, a man who reigns forever and is always dying, whose past rewrites itself with every breath, whose power is infinite and yet always slipping, slipping, slipping through his fingers like the stolen sea, parceled off and shipped to Arizona, because why not, because what is truth if not what he declares it to be, because when you have lived for centuries, when your general is served up at a Thyestean feast, when your nation’s children are disappeared to an island, never to return, when the cattle are branded with your mark, when the very hour itself is subject to your whim, then nothing is real, nothing but the fear, the violence, the rape, the predation, the endless grinding machinery of power that must sustain itself, and so we cycle, we spiral, we convulse through six sections, six deaths, six endless iterations of his reign, six grotesque confirmations that absolute power is an ouroboros swallowing its own tail, devouring itself, erasing itself, until nothing is left but the silence of his ruin, the empty palace where his corpse will be found again and again, where his legacy is nothing but absence, and translator Gregory Rabassa—mad saint, linguistic necromancer—renders it all in English without breaking the spell, his translation a relentless incantation that doesn’t just mimic the novel’s crushing, hypnotic cadence but becomes it, suffocating, pressing, forcing you to inhabit the mind of this eternal, rotting god-tyrant, this cosmic mistake, this doomed and doom-dealing beast whose power, no matter how total, will crumble, will fade, will rot, will vanish into nothing, just like everything else.
Wednesday, April 02, 2025
A run-on sentence on Gabriel García Márquez’s delirious novel The Autumn of the Patriarch
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